The Buddha in the AtticAlfred A. Knopf, 2011 - 129 pagine Finalist for the 2011 National Book Award Julie Otsuka’s long awaited follow-up toWhen the Emperor Was Divine(“To watchEmperorcatching on with teachers and students in vast numbers is to grasp what must have happened at the outset for novels likeLord of the FliesandTo Kill a Mockingbird” —The New York Times) is a tour de force of economy and precision, a novel that tells the story of a group of young women brought over from Japan to San Francisco as ‘picture brides’ nearly a century ago. In eight incantatory sections,The Buddha in the Attictraces their extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history; to the deracinating arrival of war. In language that has the force and the fury of poetry, Julie Otsuka has written a singularly spellbinding novel about the American dream. |
Sommario
Sezione 1 | 3 |
Sezione 2 | 19 |
Sezione 3 | 23 |
Sezione 4 | 55 |
Sezione 5 | 61 |
Sezione 6 | 81 |
Sezione 7 | 105 |
Sezione 8 | 115 |
Sezione 9 | 131 |
Sezione 10 | 133 |
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America asked back home began beneath Berryville birth to babies boat boss bought Buddha Buddhist called Chinese chopsticks clothes dark daughters dead doors downtown dreamed Emperor Was Divine English everything eyes farm fathers favorite fields Filipinos floor forgot found ourselves front gave birth girl gone green beans hair hands heard husband J-town Japa Japan Japanese judo Julie Otsuka kimonos kitchen knew Kumamoto late at night laundry learned leave left carrying left wearing letters lived looked Manchuria midwife morning mothers neighbors never once orchards paper lanterns pick Picture Brides pulled ranch rice rice paddies rice paper sent shouting silk sleep someone Sometimes stared stayed stop Street talk tell things told took town trees tried turn uterus walked wanted to become war bond week wife woke wondered wooden yard