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Aesthetic:

As Science of Expression and General Linguistic
Copertina anteriore
1 Recensione
Transaction Publishers, 01/gen/1995 - 503 pagine
Benedetto Croce is one of the most influential philosophers of the twentieth century. His work in aesthetics and historiography has been controversial, but enduring. When the first edition of Aesthetic appeared in 1902, Croce was seen as foremost in reasserting an idealistic philosophy, which, despite its source in continental idealists from Descartes to Hegel, offers a system that attempts to account for the emergence of scientific systems. Croce thus combines scientific and metaphysical thought into a dynamic aesthetic.
Croce regards aesthetics not merely as a branch of philosophy, but as a fundamental human activity. It is inseparable from historical, psychological, political, economic, and moral considerations, no less than a unique frame of artistic reference. Aesthetic is composed of two parts: Part One concentrates on aesthetic theory and practice. Among the topics it covers are: intuition and expression, art and philosophy, historicism and intellectualism, and beauty in nature and in art. Part Two is devoted to the history of aesthetics. Croce analyzes such subjects as: aesthetic ideas in the Middle Ages and Renaissance, Giambattista Vico's contribution to aesthetics, the philosophy of language, and aesthetic psychologism.
In his new introduction to a classic translation, John McCormick reviews Croce's impact in the fields of aesthetic theory and historiography. He notes that the republication of this work is an overdue appreciation of a singular effort to resolve the classic question of the philosophy of art: art for its own sake or art as a social enterprise. Both find a place in Croce's system.
  

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Review: Aesthetic: As Science of Expression and General Linguistic

Recensione dell'utente  - Calmbob - Goodreads

For me, this book isn't about aesthetics as "the beautiful", but about understanding how to function with some kind of real sense in a world that is all-to-much in the grips of Cartesian rationality ... Leggi recensione completa

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Pagine selezionate

Indice

Intuition and Expression
1
iNTurnoN and Art
12
Art and Philosophy
22
HlSTORICISM AND INTELLECTUALISM IN ESTHETIC
32
Analogous Errors in the Theory of History and in Logic
39
The Theoretic Activity and the Practical Activity
47
Analogy Between the Theoretical and the Practical
55
Exclusion of Other Spiritual Forms
61
Ferments of Thought in the Seventeenth Century
189
Esthetic Ideas in the Cartesian and Leibnitian Schools and the Esthetic of Baumcarten
204
Giambattista Vico
220
Minor Esthetic Doctrines of the Eighteenth Century
235
Other Esthetic Doctrines of the Same Period
257
Immanuel Kant
272
Schiller Schelling Solcer Hegel
283
Schopenhauer and Herbart
304

Indivisibility of Expression into Modes or Decrees and Criticism of Rhetoric
67
Esthetic Feelings and the Distinction Between the Beautiful and the Ugly
74
Criticism of Esthetic Hedonism
82
The jEsthetic of the Sympathetic and PseudoAesthetic Concepts
87
The Physically Beautiful in Nature and in Art
94
XTV Errors Arising from the Confusion Between Physics and Esthetic
104
The Activity of Externalization Technique and the Theory of the Arts
111
Taste and the Reproduction of Art
118
The History of Literature and Art
128
Identity of Linguistic and Esthetic
140
Esthetic Ideas in GrEcoRoman Antiquitv
155
Esthetic Ideas in the Middle Aces and Renaissance
175
Friedrich Schleiermacher
312
Humboldt and Steinthal
324
Minor German Estheticians
334
Esthetic in France England and Italy During the First Half of the Nineteenth Century
350
Francesco de Sanctis
358
Esthetic of the Epiconi
370
Esthetic Positivism and Naturalism
388
Esthetic Psychologism and Other Recent Tendencies
404
Historical Sketches of Some Particular Doctrines
420
Bibliocraphical Appenddc
475
Index
491
Copyright

Parole e frasi comuni

abstract aesthetic activity aesthetic fact aestheticians affirmation already altogether appearance Aristotle Asth Asthetik Baumgarten called century character cognitive colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction distinguished doctrine empirical error ethical exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism hedonistic Hegel Herbart Herbartian human idea ideal imagination imitation impressions individual intellectual intuition intuitive knowledge Italian judgement Kant kinds knowledge language laws Leibniz Leipzig Linguistic logical matter means Menendez y Pelayo metaphor metaphysical moral Naples natural sciences object observations painting perfect philo philosophy Plato pleasure poet Poetics poetry possess practical produced psychological pure Quintilian reality reason reflexion relation representation reproduction Rhetoric scientific Scienza nuova sensation sense sensible Solger sometimes soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico words writers

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Informazioni sull'autore (1995)

Born in L'Aquila of a great landowning family and educated at the University of Rome, Croce lived almost his entire life in Naples, raising himself, as a scholar of independent means, to the status of a "cultural institution" of national and then general European importance. He enjoyed an active political career as a senator and minister of education and was fiercely opposed to the Fascist regime. In literature, Croce contributed a major revision of the Italian view of poetry, drawing first on Hegel and then on the great Italian-Hegelian literary critic Francesco De Sanctis for a modernistic view of poetry, distinguishing it from the nonpoetic elements often fused with it. Croce's most influential work is his Aesthetic as Science of Expression and General Linguistic (1902), which he brilliantly summarized and updated in Breviario di estetica (1913) and in "Aesthetica in nuce," originally written for the fourteenth edition of the Encyclopaedia Britannica.

Informazioni bibliografiche

QR code for Aesthetic
TitoloAesthetic: As Science of Expression and General Linguistic
AutoreBenedetto Croce
tradotto daDouglas Ainslie
Edizioneristampa
EditoreTransaction Publishers, 1995
ISBN1412816505, 9781412816502
Lunghezza503 pagine
  
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