A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 128
... play , however , requires order and control . A directing spirit , man's esthetic taste , controls the spontaneous flow of imagery in which imagi- native play consists . Art is thus form imposed by taste upon playful imagistic activity ...
... play , however , requires order and control . A directing spirit , man's esthetic taste , controls the spontaneous flow of imagery in which imagi- native play consists . Art is thus form imposed by taste upon playful imagistic activity ...
Pagina 133
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality . Notwithstanding the large affec- tive cathexis1 of his play - world , the child distinguishes it perfectly ...
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality . Notwithstanding the large affec- tive cathexis1 of his play - world , the child distinguishes it perfectly ...
Pagina 134
... play and reality is again abrogated . The adult can remember with what intense seriousness he carried on his childish play ; then by comparing his would - be serious occupations with his childhood's play , he manages to throw off the ...
... play and reality is again abrogated . The adult can remember with what intense seriousness he carried on his childish play ; then by comparing his would - be serious occupations with his childhood's play , he manages to throw off the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words