A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 98
... pleasures , or several classes together ( the pleasure of the superior senses , the pleasure of play , of consciousness of our own strength , of criticism , etc. ) , or of adding to it elements differing from the pleasurable , the ...
... pleasures , or several classes together ( the pleasure of the superior senses , the pleasure of play , of consciousness of our own strength , of criticism , etc. ) , or of adding to it elements differing from the pleasurable , the ...
Pagina 142
... pleasure by his disclosures . When we hear such phan- tasies they repel us , or at least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great ...
... pleasure by his disclosures . When we hear such phan- tasies they repel us , or at least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great ...
Pagina 210
... pleasure a complication which is not present in others and which is the basis of the distinction made by consciousness and language between it and the ... pleasures also help to explain their comparative crudity . 210 EMOTION AND PLEASURE.
... pleasure a complication which is not present in others and which is the basis of the distinction made by consciousness and language between it and the ... pleasures also help to explain their comparative crudity . 210 EMOTION AND PLEASURE.
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words