The Italian Viola Da Gamba: Proceedings of the International Symposium on the Italian Viola Da Gamba : Christophe Coin & Susan Orlando, Directors : Magnano, Italy, 29 April-1 May 2000Susan Orlando, Christophe Coin Presses Univ. Limoges, 2002 - 223 pagine |
Sommario
Foreword | 5 |
The Viola | 35 |
Monteverdi the Viola Bastarda Player | 53 |
An EighteenthCentury Italian Treatise and Other Clues | 73 |
The Viola da Gamba in Cremona | 87 |
The Viola Bastarda and the Art of Improvising | 115 |
Violin Traits in Italian Viol Building Rule or Exception? | 145 |
Some New Experiments in Historical | 165 |
The System and Proportions of Barring on Viols | 181 |
A Study of Three Viols Attributed to Antonio Ciciliano | 195 |
Glossary of Terms | 218 |
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Alessandro all'inglese Amati Antonio Ciciliano arched Artusi's Ashmolean Museum Baroque bass viol basso bastarda player Battista Bologna Brescia bridge Brussels cello century Ciciliano cinque Claudio Claudio Monteverdi collection Compendio composer composition Concerto corde Correr Cremona Cremonese documents Doni Dorio Ebert equal tension extant Ferrara fingerboard Francesco frets front Gasparo da Salò Giovanni Girolamo Frescobaldi Guarneri gut strings Idem improvising instru inventory Italian viols Italy Karel Moens label lira luthiers madrigals maestro di cappella makers Mantua Mantuan court Mazzocchi ments Milan Monteverdi Musée Museo Music Museum Musical Instruments musicians Musique neck original pegbox performance Pietro Zenatto PLATE playing purfling ribs Rome shape Shrine to Music Signor soundboard soundpost Stradivari Striggio strumenti style Susan Orlando tailpiece technique tenor viol tion Treble tuning Venetian Venice Vermillion vibration Vincenzo viol attributed viola bastarda viola d'amore viola da gamba violin violoncello virtuoso Vittorio Ghielmi voices Woodfield Zanetto