A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 247
... individual , and that therefore a system of esthet- ics can have no objective validity . It must be replied that any system of esthetics which pretends to be based on some objective truth is so palpably ridiculous as not to be worth ...
... individual , and that therefore a system of esthet- ics can have no objective validity . It must be replied that any system of esthetics which pretends to be based on some objective truth is so palpably ridiculous as not to be worth ...
Pagina 324
... individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under- distance " or to " over - distance . " " Under - distancing " is the commonest failing of the subject , an excess ...
... individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under- distance " or to " over - distance . " " Under - distancing " is the commonest failing of the subject , an excess ...
Pagina 371
... individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge for one is taken to be knowledge for all ...
... individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge for one is taken to be knowledge for all ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words