Exploring World ArtWaveland Press, 2006 - 403 pagine "This project emerged from an invited session on world-art worlds at the Annual Meetings of the American Anthropological Association in New Orleans in 2003 ... we have also added several contributions published elsewhere"--P. ix. |
Sommario
Theoretical Orientations to the Subject of World Art | 42 |
Three Approaches | 69 |
Tourism Aesthetics and Global Flows | 111 |
Copyright | |
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Exploring World Art Eric Venbrux,Pamela Sheffield Rosi,Robert Louis Welsch Visualizzazione estratti - 2006 |
Exploring World Art Eric Venbrux,Pamela Sheffield Rosi,Robert Louis Welsch Visualizzazione estratti - 2006 |
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Aboriginal art acrylic paintings aesthetic African art Akwesasne anthropology of art art forms Art Gallery art historians art objects art world artists artworks Asmat Australia authenticity California Press Cambridge carvers carvings Choulai clan collection collectors colonial commercial art commodity concept contemporary art contemporary PNG art context craft created creative cultural curatorial curators designs discussed display economic ethnic ethnographic example exhibition experience Figure Gauguin global high art Iatmul identity Indian indigenous Jakupa Limón Maasai meaning modern Mohawk motifs Myers Native American Native art non-Western art Northwest Coast art painters Papua New Guinea patta chitra perspective Photo Pintupi political Port Moresby Primitive Art production ritual role Rosi Samburu Sepik River social society Steiner style Swahili symbolic tion Tiwi Tlingit tourist art traders tribal art University Press Venbrux village visitors visual arts weavers Welsch West African World Art York Zapotec Zapotec textiles