Popular Culture: The Metropolitan ExperiencePsychology Press, 1986 - 244 pagine Iain Chambers approaches the often overlooked details and textures of popular culture through a series of histories which show how it becomes continually remade as each of us defines our own urban space. |
Sommario
Urban times | 17 |
and urban pastimes | 29 |
Inside the present | 41 |
A world of images | 69 |
National views | 79 |
Other visions screens and pleasures | 95 |
From music hall to Hitsville | 129 |
Other sounds other worlds | 139 |
Sounds of youth | 151 |
In these times | 183 |
framing culture | 200 |
Further materials | 222 |
| 228 | |
| 235 | |
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Parole e frasi comuni
advertising aesthetics Afrika Bambaataa American architecture audience Barthes bebop become black music blues Bob Marley Britain British cinema British film centre century Charlie clubs collage comics commercial consumerism contemporary critics daily dance David Johnson disco early economic Eduardo Paolozzi English entertainment everyday experience fashion genre Hebdige Hollywood horror housing ideology images increasingly industry inside intellectual James Brown jazz kitsch language later living London magazines male meaning modernism montage music hall National Film Archive native night nineteenth-century novel numbers objects particular photography pleasure political Pop Art pop music popular culture popular music post-war produce programmes punk radio ragtime reality record reggae reproduction rhythms rock music rock'n'roll Rolling Stones screen sense sexuality signs social society soul music sounds street structure style subcultural subsequent suggest Teddy boys teenage television Tin Pan Alley Trad jazz traditional transform urban visual wider working-class youth