Experiencing Music Video: Aesthetics and Cultural Context

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Columbia University Press, 16 giu 2004 - 360 pagine

Music videos have ranged from simple tableaux of a band playing its instruments to multimillion dollar, high-concept extravaganzas. Born of a sudden expansion in new broadcast channels, music videos continue to exert an enormous influence on popular music. They help to create an artist's identity, to affect a song's mood, to determine chart success: the music video has changed our idea of the popular song.

Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from the songs they illuminate—and sell. Carol Vernallis describes how verbal, musical, and visual codes combine in music video to create defining representations of race, class, gender, sexuality, and performance. The book explores the complex interactions of narrative, settings, props, costumes, lyrics, and much more. Three chapters contain close analyses of important videos: Madonna's "Cherish," Prince's "Gett Off," and Peter Gabriel's "Mercy St."

 

Sommario

ACKNOWLEDGMENTS
INTRODUCTION
PART I THEORY
1 Telling and Not Telling
2 Editing
3 Actors
4 Settings
5 Props and Costumes
PART II ANALYSES
An Analysis of Madonnas Cherish
The Relation of Music and Image in Princes Gett Off
Image and Music in Mercy St
SECTIONAL DIVISIONS
THE SONGS FORM
MERCY ST GENERAL SCHEME
SHOT DESCRIPTION

Space Color Texture and Time
7 Lyrics
8 Musical Parameters
9 Connections Among Music Image and Lyrics
10 Analytical Methods
AFTERWORD
NOTES
BIBLIOGRAPHY
INDEX
Copyright

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Informazioni sull'autore (2004)

Carol Vernallis is associate professor in the Media Arts and Studies Division of the Communication Department at Wayne State University.

Informazioni bibliografiche