...isolated for aesthetic expression was “the human story.” But the film accomplished this isolation “by overcoming the forms of the outer world, namely, space, time, and causality”; it did not respect the “structure of the physical universe. . . [the] freedom of the mind has triumphed...

...aesthetics to demonstrate the unique properties of a medium distinct from reality and the theatre: the photoplay tells us the human story by overcoming the forms of the outside world, namely space, time, and causality, and by adjusting the events to the forms of the inner...

...psychological research on the other, we need only combine the results of both into a unified principle: the photoplay tells us the human story by overcoming...outer world, namely, space, time, and causality, and hy adjusting the events to the forms of the inner world, namely, attention, memory, imagination, and...

...and space. and thus create forms that mirror intemal mental processes rather than oblective reality. "(T)he photoplay tells us the human story by overcoming...outer world. namely space. time and causality. and by adlusting the events to the forms of the inner world. namely attention. memory. imagination. and emotion"...

...psychological research on the other, we need only combine the results of both into a unified principle: the photoplay tells us the human story by overcoming the forms of the outer world, namely, spave, time, and causality, and by adjusting, the events to the forms of the inner world, namely, attention,...

...that films, by their nature, observe the laws of the mind rather than those of the outer world, . . . overcoming the forms of the outer world, namely space, time, and causality, [and] adjusting the events to the forms of the inner world, namely attention, memory, imagination, and emotion."11...