AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 40
... scheme . And it would be impossible to generalize were not the particular elements so related , in definitely indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed ...
... scheme . And it would be impossible to generalize were not the particular elements so related , in definitely indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed ...
Pagina 76
... scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations or pitch intervals . This is a scheme not discernible anywhere but ...
... scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations or pitch intervals . This is a scheme not discernible anywhere but ...
Pagina 110
... scheme to actual verse appears to help us discern its heard pattern in so far as that pattern is temporal . And since the scheme has little relation to iambs and trochees and dactyls , or to tetrameters and pentameters , we shall do ...
... scheme to actual verse appears to help us discern its heard pattern in so far as that pattern is temporal . And since the scheme has little relation to iambs and trochees and dactyls , or to tetrameters and pentameters , we shall do ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words