Art as Experience

action activity architecture Aristotle artist beauty become belongs building Byzantine art Cézanne color common compartmentalized psychology complete conception connection consciousness constitute criticism defined definite direct distinction drama dualism effect elements emotion ence energy environment esthetic education esthetic experience esthetic quality esthetic theory existence experienced external fact factors feeling forces fulfillment human idea imaginative immediate impressionist impulse individual integral intellectual intense interaction intrinsic isolated judgment lines literature live creature manifestation material matter Matthew Arnold means medium ment merely mind mode moral movement nature object operates organism painter painting Parthenon particular perceived perception phase philosophic physical picture Plato poem poetry Preface to Morals present purpose relations result rhythm scene sculpture sense sensuous separation significant subject-matter substance term of disparagement things thought Tintoretto tion Titian tradition uncon undergoing unity values vidual vision whole words