The Philosophy of Fine Art, Volume 1G. Bell and sons, Limited, 1920 - 429 pagine |
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absolute abstract activity actual adequate animal appearance apprehended artistic aspect assert beauty of art character colour concrete condition configuration consciousness consequently contrast crete defect definite determinacy distinct doubt emotional entire essential evanescent expression fact feeling Fichte finite freedom Friedrich von Schlegel Goethe grasp Hegel human Idea ideal art ideal unity imagination immediate impulse inasmuch independent individual intelligence interest Kant kind less Ludwig Tieck manifestation material means merely metaphysical nature mind mode Nature necessity notional concept objective idealism opposition organism painting particular passions philosophy philosophy of art poetry point of view position possesses present principle Professor Bosanquet purely reality realization reason reflection regarded relation romantic type Schiller scientific sculpture sense shape significance simply Solger soul soul-life specific sphere Spirit subject-matter substance symbolic art teleological thing thought ticular tion totality translation true truth type of art universal virtue wholly words