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activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association attitude bodily body called chapter character classicism Clive Bell cognition comic complex conscious course Croce difficult drama effects embodied emotions essential evil example exist fact feeling fulfilment fused hand hedonic human I. A. Richards Ibid idea imagination imitation implies important imputed inspiration interest kind knowledge Lascelles Abercrombie Macbeth matter meaning mental merely mind moral nature opera organic painting perceived object perception perfection perhaps perspective picture plastic pleasure poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological Psychology of Beauty question realism reality relation revealed romanticism sensa sense sense data sensuous significance sometimes speaking sublime suggest teleological tendency term terminal object theory things tion tragedy true truth ugliness unity unpleasant vision visual words
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╔rudit | RON n26 2002 : Reid : Form in Coleridge, and in ...