Problems of Dostoevsky's PoeticsU of Minnesota Press, 30 nov 2013 - 384 pagine This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle. |
Sommario
| 5 | |
The Hero and the Position of the Author with Regard to the Hero in Dostoevskys Art | 47 |
The Idea in Dostoevsky | 78 |
Characteristics of Genre and Plot Composition in Dostoevskys Works | 101 |
Discourse in Dostoevsky | 181 |
ii The Heros Monologic Discourse and Narrational Discourse in Dostoevskys Short Novels | 204 |
iii The Heros Discourse and Narrative Discourse in Dostoevsky | 237 |
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Parole e frasi comuni
accent Alyosha artistic Bakhtin become Brothers Karamazov carnival sense carnivalistic characteristic characters confession Constance Garnett construction course creative Crime and Punishment critical death decrowning Devushkin dialogic relationships Dostoevskogo Dostoevsky Dostoevsky's heroes Dostoevsky's novels Dostoevsky's Poetics Dostoevsky's world dream elements epoch everything example expressed external fact field of vision final genre Golyadkin Grossman hero's human idea ideological internally dialogized Ivan Ivan Karamazov Ivan's language laughter Leonid Grossman literary literature living logic means menippea Menippean satire monologic Myshkin mystery play narration Nastasya Filippovna Notes from Underground novelistic objectified orientation other's parody person philosophical plane plot point of view polemic polyphonic novel position precisely prose Raskolnikov rejoinders Russian sciousness self-consciousness semantic skaz Smerdyakov social Socratic dialogue someone else's soul speak specific speech Stavrogin's story structure style stylistic stylization theme thought tion tone truth ultimate Underground understanding unity utterance voice Vyacheslav Ivanov whole word worldview
Brani popolari
Pagina 6 - A plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices is in fact the chief characteristic of Dostoevsky's novels.
Pagina xxxix - Nothing conclusive has yet taken place in the world, the ultimate word of the world and about the world has not yet been spoken, the world is open and free, everything is still in the future and will always be in the future...
Pagina 18 - Not a single element of the work is structured from the point of view of a nonparticipating "third person." In the novel itself, nonparticipating "third persons" are not represented in any way.