The Dehumanization of ArtP. Smith, 1951 - 29 pagine |
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Pagina 29
... Debussy . So decisive is this conversion of the subjective attitude into the objective that any subsequent , differentiations ap- pear comparatively negligible . * Debussy dehuman- ized music , that is why he marks a new era in the art ...
... Debussy . So decisive is this conversion of the subjective attitude into the objective that any subsequent , differentiations ap- pear comparatively negligible . * Debussy dehuman- ized music , that is why he marks a new era in the art ...
Pagina 33
... Debussy , all new poetry moves in the direction in which Mallarmé pointed . The landmarks of these two names ́seem to me essential for charting the main line of the new style above the indentations produced by individ- ual inspirations ...
... Debussy , all new poetry moves in the direction in which Mallarmé pointed . The landmarks of these two names ́seem to me essential for charting the main line of the new style above the indentations produced by individ- ual inspirations ...
Parole e frasi comuni
action adventures aesthetic appear artistic aspect attention become begins body called cause century character classical clear consists contemplation definition DEHUMANIZATION delight direction distance Dostoevski drama effect elements emotions essential event existence eyes fact feel figures French genre gives hand happens Hence historical holds horizon hour human ideas imaginary inner interest invent keep less literary living look major man's masses material matter means merely metaphor mind modern art move names nature never novel novelist object observe opposite painter painting passions past perhaps person personages play pleasure poet poetry political popular possess possible precisely present produce psychological pure reader reading reality reason relation requires reveal seems seen sense sensibility souls Spanish style theater thing tion traditional turn understand values young