The American Cinema of Excess: Extremes of the National Mind on Film

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McFarland, Nov 11, 2008 - Performing Arts - 271 pages
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This book draws conclusions about the American mind through analysis of what might be called "cinema of excess:" cinema about Americans that includes culturally transgressive material such as violence, graphic sexuality, apocalyptic themes, and paranoia. The work begins with an introduction to far left and far right schools of film criticism, including Marxism, cultural conservatism, and religious conservatism. The author then takes a balanced look at various films' interpretations of several traits of the American conscious: paranoia (Dr. Strangelove), aggression (Rambo, Natural Born Killers), oedipal/Freudian themes (The Hulk, Star Wars), sexual obsession (American Beauty), the apocalypse (The Passion of the Christ, the Left Behind trilogy), Native Americans and cultural genocide (Little Big Man), new age narcissism (I Heart Huckabees), nihilism and self-destruction (Fight Club, Taxi Driver), intellect and cultural autism (A Beautiful Mind), and virtual reality/fantasy (The Matrix). Finally, a look at American sanity is provided through films like One Flew Over the Cuckoo's Nest, The Fisher King, Vanilla Sky and 21 Grams.
  

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Contents

Preface
1
Introduction
3
Roots of the American Madness
17
Filmic Journeys into the American Madness
43
The American Sanity on Film
215
Conclusions
231
Filmography
241
Chapter Notes
245
Bibliography
252
Index
257
Copyright

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About the author (2008)

Mike King, a university reader at London Metropolitan University, has written more than fifty scholarly essays, chapters, reviews and articles on the arts, film, religion and science.

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