The Arts of the BeautifulGreenwood Press, 1976 - 189 pagine -- First paperback edition.-- A lucid and deft argument for art as "the making of beauty for beauty's own sake", The Arts of the Beautiful brilliantly addresses the dominant notion of art as an act of expression or communication. Gilson maintains that art is not a matter of knowing, but that it belongs to an order other than that of knowledge, the order of making.-- A world-renowned philosopher and historian, Etienne Gilson held the position of Professor of Medieval Philosophy at the Sorbonne and subsequently at the College de France. He helped to found the Pontifical Institute of Medieval Studies at the University of Toronto. He is the author of many works, including Forms and Substance in the Arts, The Philosopher and Theology, and The Spirit of Medieval Philosophy.-- First published by Charles Scribner's Sons ('65). Copyright © Libri GmbH. All rights reserved. |
Dall'interno del libro
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Pagina 79
... itself to be . Indeed , since it is good by the very reason that it is , being as such is desirable in itself . Because it is good that things should be , every being entails the will to cause other beings . In other words , self ...
... itself to be . Indeed , since it is good by the very reason that it is , being as such is desirable in itself . Because it is good that things should be , every being entails the will to cause other beings . In other words , self ...
Pagina 86
... itself ? Is it not a new object added by its author to the sum total of existing beings ? No doubt it is , but insofar as it is an artifact , the book is in no way different from other industrial products . Like them , it may possess a ...
... itself ? Is it not a new object added by its author to the sum total of existing beings ? No doubt it is , but insofar as it is an artifact , the book is in no way different from other industrial products . Like them , it may possess a ...
Pagina 124
... itself is no speech . On the contrary , language itself must of necessity be being in order not to be nothing . The first philosophical principle is that being is ; it is not that being is true . Assuredly the transcendentals are ...
... itself is no speech . On the contrary , language itself must of necessity be being in order not to be nothing . The first philosophical principle is that being is ; it is not that being is true . Assuredly the transcendentals are ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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activity actual already answer applies Aristotle artist beauty become belongs called cause Christian Church cognition common complete conceived condition considered create creative critic define definition desire determined distinction divine effect emotions essence essentially esthetic existence experience express fact feel function genius give given human idea ideal images imitation important includes intelligible judgments kind knowledge language least less live look material matter means metaphysics mind nature never notion object observed once operations painting perfect philistinism philosophers Plato pleasure poem poet poetic poetry possible practical precisely presence principle problem produce proper pure qualities question reality reason religion religious remains remark represent respect sake sense sensible sort speak symbol teach thing thought tion true truth turn unity universe Valéry verse whole worship write