A course of lectures on drawing, painting, and engraving

Albert Durer amongst ancient appear applied artist ation beautiful blue branch Cimabue Claude Lorraine colours consideration copper Correggio dark darker degree distance distemper drapery effect elegant employed endeavour etching executed express figures finished foliage forms furnish gamboge give graver Greeks green grey ground honour human Indian ink ject kind landscape Lecture light and shadow lines look lours manner masters materials means ment mezzotinto mind mode of engraving nature neral objects observations oil-colours painter painting in oils paper pencil perfect plate portrait painting prac practice of drawing practice of painting practitioner principle process of painting produced Prussian blue purpose quired racter Raphael Sanzio remarks Rembrandt represent representation sculpture semitones Sir Joshua Reynolds spectator sublime success supposed surface taste thin tints tion Titian tones trees truth ture various varnish Vasari water-colours whole wish yellow