AestheticsMacmillan, 1965 - 115 pagine |
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Sommario
JEROME STOLNITZ Introduction | 21 |
LEO TOLSTOY ArtThe Language of Emotion | 41 |
JOHN HOSPERS Art and Emotion | 50 |
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action æsthetic aesthetic emotion appreciate argument Aristotle artist audience beauty Bell's Cézanne character Chiang Yee Clive Bell colours concepts couch criterion critic Derwentwater described Discovery E. H. Gombrich epic Epic poetry Euripides evaluation experience express fact feeling give Hamlet Hospers human Hume ideas imagination imitation important incidents individual infected insight instance interpretation John Hospers judge kind language logical Macdonald Margaret Macdonald matter means mind nature object Oedipus Orestes painter painting particular Peripety Persian cats person philosophy picture Pietà pity Plato play pleasure Plot poet Poetics poetry Post-Impressionism probable or necessary pure form qualities questions reason relation represent representation Reynolds Roger Fry seems sense sentiment significance simple Sophocles species spectator standard of taste story style subject-matter theory things thought three-dimensional space tion Tolstoy Tolstoy's Tragedy tragic true truth understand universal value judgments verdict whole words