A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 115
... psychological novels , too , that only one person - once again the hero - is described from within ; the author dwells in his soul and looks upon the other people from outside . The psychological novel in general probably owes its ...
... psychological novels , too , that only one person - once again the hero - is described from within ; the author dwells in his soul and looks upon the other people from outside . The psychological novel in general probably owes its ...
Pagina 211
... psychological novel is perhaps the most striking phenom- enon in the new literature . The works of Kafka and Joyce are no longer psychological novels in the sense that the great novels of the nineteenth century were . In Kafka ...
... psychological novel is perhaps the most striking phenom- enon in the new literature . The works of Kafka and Joyce are no longer psychological novels in the sense that the great novels of the nineteenth century were . In Kafka ...
Pagina 257
... psychological need which the principle of tonality , or key , fulfills ; the necessity for a unifying organization in the sphere of sound , just as tempo and meter constitute a unifying principle in that of rhythm . Movement becomes ...
... psychological need which the principle of tonality , or key , fulfills ; the necessity for a unifying organization in the sphere of sound , just as tempo and meter constitute a unifying principle in that of rhythm . Movement becomes ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York