The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 mag 1959 - 272 pagine Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
Dall'interno del libro
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Pagina 135
... formance conforms to our common - sense notion of social establishments , for when we look at most buildings we find within them rooms that are regularly or temporarily used as back regions and front regions , and we find that the outer ...
... formance conforms to our common - sense notion of social establishments , for when we look at most buildings we find within them rooms that are regularly or temporarily used as back regions and front regions , and we find that the outer ...
Pagina 178
... formance presented to the customer , although certain terms in the vocabulary seem to be relatively standardized and occur in the same form in many shops across the country . When clerks are members of a foreign language group , as is ...
... formance presented to the customer , although certain terms in the vocabulary seem to be relatively standardized and occur in the same form in many shops across the country . When clerks are members of a foreign language group , as is ...
Pagina 188
... formance . The immediate object here will be to make one's teammate almost burst out laughing , or almost trip , or al- most lose his poise in other ways . For example , in Shetland Hotel , the cook would sometimes stand at the kitchen ...
... formance . The immediate object here will be to make one's teammate almost burst out laughing , or almost trip , or al- most lose his poise in other ways . For example , in Shetland Hotel , the cook would sometimes stand at the kitchen ...
Sommario
ACKNOWLEDGMENTS PREFACE INTRODUCTION | 1 |
PERFORMANCES | 17 |
TEAMS | 77 |
Copyright | |
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishments society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual