A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 196
... whole delight and interest of " body - and - mind " in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in it , seem to desire ...
... whole delight and interest of " body - and - mind " in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in it , seem to desire ...
Pagina 323
... whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for movement determines the loosening of boundaries , the ...
... whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for movement determines the loosening of boundaries , the ...
Pagina 395
... whole , living man . And in his turn , this man is only an element in a whole made up of the social group to which he belongs . An idea which he expresses or a book which he writes can acquire their real meaning for us , and can be ...
... whole , living man . And in his turn , this man is only an element in a whole made up of the social group to which he belongs . An idea which he expresses or a book which he writes can acquire their real meaning for us , and can be ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York