Greek Reflections on the Nature of Music

Copertina anteriore
Cambridge University Press, 27 apr 2009 - 340 pagine
In this book, Flora Levin explores how and why music was so important to the ancient Greeks. She examines the distinctions that they drew between the theory of music as an art ruled by number and the theory wherein number is held to be ruled by the art of music. These perspectives generated more expansive theories, particularly the idea that the cosmos is a mirror-image of music's structural elements and, conversely, that music by virtue of its cosmic elements - time, motion, and the continuum - is itself a mirror-image of the cosmos. These opposing perspectives gave rise to two opposing schools of thought, the Pythagorean and the Aristoxenian. Levin argues that the clash between these two schools could never be reconciled because the inherent conflict arises from two different worlds of mathematics. Her book shows how the Greeks' appreciation of the profundity of music's interconnections with philosophy, mathematics, and logic led to groundbreaking intellectual achievements that no civilization has ever matched.
 

Sommario

1 All Deep Things Are Song
1
2 We Are All Aristoxenians
48
3 The Discrete and the Continuous
88
5 The Topology of Melody
154
6 Aristoxenus of Tarentum and Ptolemas of Cyrene
204
7 Aisthsis and Logos A Single Continent
241
8 The Infinite and the Infinitesimal
296
Bibliography
305
Index
317
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Informazioni sull'autore (2009)

Flora Levin is an independent scholar of the classical world. She is the author of two monographs on Nicomachus of Gerasa and has contributed to TAPA, Hermes and The New Grove Dictionary of Music.

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