A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 97
... intuition , and that false intuition which is a heap of images put together in play or intention- ally or for some other practical purpose , the connection of which , being prac- tical , shows itself to be not organic , but mechanic ...
... intuition , and that false intuition which is a heap of images put together in play or intention- ally or for some other practical purpose , the connection of which , being prac- tical , shows itself to be not organic , but mechanic ...
Pagina 98
... intuition . The philosophical maxims placed in the mouth of a personage of tragedy or of comedy , perform there the function , not of con- cepts , but of ... intuition . If we imagine a human mind having intuitions 98 ART AS INTUITION.
... intuition . The philosophical maxims placed in the mouth of a personage of tragedy or of comedy , perform there the function , not of con- cepts , but of ... intuition . If we imagine a human mind having intuitions 98 ART AS INTUITION.
Pagina 99
An Anthology Melvin Miller Rader. intuition . If we imagine a human mind having intuitions for the first time , it would seem that it could have intuitions of actual reality only , that is to say , that it could have perceptions of ...
An Anthology Melvin Miller Rader. intuition . If we imagine a human mind having intuitions for the first time , it would seem that it could have intuitions of actual reality only , that is to say , that it could have perceptions of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words