A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 375
... Classicism is not , as is so often thought , some- thing merely or mainly ' formal ' and ' cold ' ; classicism is the expression of the profoundest passions , only they are ' objective ' passions , passions in which ' cosmic ' values ...
... Classicism is not , as is so often thought , some- thing merely or mainly ' formal ' and ' cold ' ; classicism is the expression of the profoundest passions , only they are ' objective ' passions , passions in which ' cosmic ' values ...
Pagina 377
... classicism , and as that from which romanticism is a reac- tion . If we are right , it is not only when he is speaking for his own age of reason and enlightenment that an artist is classical : he may be the mouthpiece of something which ...
... classicism , and as that from which romanticism is a reac- tion . If we are right , it is not only when he is speaking for his own age of reason and enlightenment that an artist is classical : he may be the mouthpiece of something which ...
Pagina 378
... classicism , it will tend towards subjectivism and starvation . Art is not like the serpent which can feed on its own tail . A danger of romantic retreat is subjectivism . Without some healthy contact with real things , of one sort or ...
... classicism , it will tend towards subjectivism and starvation . Art is not like the serpent which can feed on its own tail . A danger of romantic retreat is subjectivism . Without some healthy contact with real things , of one sort or ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words