A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
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Pagina 78
... cognition . If our minds simply cognised - and did nothing else — it is highly probable that sounds and colours could never come to appear to possess valuable meaning at all . But sounds and colours , though they can be regarded by an ...
... cognition . If our minds simply cognised - and did nothing else — it is highly probable that sounds and colours could never come to appear to possess valuable meaning at all . But sounds and colours , though they can be regarded by an ...
Pagina 146
... cognition may be a cognition either of something which is obvious on the face of it to every adult human ⚫ Conceptual entities , like mathematical objects , are excluded by agree- ment , though these , as we have seen , may possibly ...
... cognition may be a cognition either of something which is obvious on the face of it to every adult human ⚫ Conceptual entities , like mathematical objects , are excluded by agree- ment , though these , as we have seen , may possibly ...
Pagina 147
... cognition must always be present , and is less , or more , complex , we are , in these cases , in contact with indubitable facts . Are these facts which we know in themselves aesthetic facts ? And is aesthetic imagination unnecessary ...
... cognition must always be present , and is less , or more , complex , we are , in these cases , in contact with indubitable facts . Are these facts which we know in themselves aesthetic facts ? And is aesthetic imagination unnecessary ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words