A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 51
... perception of objects , and of the relation of these meanings to the perceived object . The second problem ( b ) concerns the fitness of the characters possessed ( literally ) by the perceived object to suggest to mind a harmonious ...
... perception of objects , and of the relation of these meanings to the perceived object . The second problem ( b ) concerns the fitness of the characters possessed ( literally ) by the perceived object to suggest to mind a harmonious ...
Pagina 60
... object . There is no intrinsic reason why this should not happen . There are only the same difficulties which were ... perceived object or ' body ' is not literally situated in ' the body ' . The ' joy ' expressed in music is not ...
... object . There is no intrinsic reason why this should not happen . There are only the same difficulties which were ... perceived object or ' body ' is not literally situated in ' the body ' . The ' joy ' expressed in music is not ...
Pagina 62
... object perceived ' imaginatively ' is an aesthetic object . This , though true as far as it goes , is not a complete statement . For not every existing perceived object is , as it stands , fully aesthetically satisfying or beautiful ...
... object perceived ' imaginatively ' is an aesthetic object . This , though true as far as it goes , is not a complete statement . For not every existing perceived object is , as it stands , fully aesthetically satisfying or beautiful ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words