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Review: Voicing the Popular: On the Subjects of Popular MusicRecensione dell'utente - Bennett - Goodreads
like all of Middleton's work this isn't a walk in the park to read, but it has some really illuminating and profoundly thought-through insights about the nature of popular culture, and of "the popular" itself. should be on every master's degree reading list. Leggi recensione completa
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acoustic mirror Adorno aesthetic African African-American Alan Lomax ambivalence American articulation authenticity authority Beggar’s Opera Bessie Smith blackface Blesh blues body Calloway Cambridge century chorus classic concept context critique culture Dana International dance dialectic dialogue difference discourse effect emerge example fantasy female figure film Freud gender genre groove Ibid ideology images jazz Lacan Lacanian listeners Lomax London male metaphor mimesis minstrel show mirror modernity musicians narrative nature Negro norms object ofthe Omai opera Patti Smith performance perhaps phallic phallus play political popular music position precisely production quoted racial recorded relationship repetition representation reproduction rhythm role seems sense sexual Show Boat signifier singers singing sinthome Slavoj Žižek social song sound specific Spice Girls structure style suggests symbolic Taussig theory Tin Pan Alley tion tradition trope tune University Press vocal voice Woman women York Žižek
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DAVID CLARKE - 2007 - twentieth-century music
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GOFFREDO PLASTINO - 2007 - Popular Music
Popular Music Research Group: Symposia
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