Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 136
... apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ... apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute ...
... apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ... apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute ...
Pagina 155
... apprehending the particular determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate ...
... apprehending the particular determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate ...
Pagina 157
... apprehend the dilapidation at all . And unless we have apprehended all of them quite definitely , we have not apprehended this particular dilapidation , but only some marks that lead us to think dilapidation , or the word di- lapidation ...
... apprehend the dilapidation at all . And unless we have apprehended all of them quite definitely , we have not apprehended this particular dilapidation , but only some marks that lead us to think dilapidation , or the word di- lapidation ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words