Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 114
... fact that he was spitting at all may suggest something about him , though surely not much . The fact that it is a spittoon says a little about his milieu . But what about the act of missing the spit- toon ? Does it mean anything more ...
... fact that he was spitting at all may suggest something about him , though surely not much . The fact that it is a spittoon says a little about his milieu . But what about the act of missing the spit- toon ? Does it mean anything more ...
Pagina 174
... fact in fiction , see Mary McCarthy , " The Fact in Fiction , " Partisan Review , XXVII ( Summer , 1960 ) , 438-58 . For a discussion of the harm that can result from a confusion of sociological fact and fiction , see Geoffrey Wagner ...
... fact in fiction , see Mary McCarthy , " The Fact in Fiction , " Partisan Review , XXVII ( Summer , 1960 ) , 438-58 . For a discussion of the harm that can result from a confusion of sociological fact and fiction , see Geoffrey Wagner ...
Pagina 175
... fact , when it has been given to us by the author or his unequivocal spokesman , is a very different thing from the same “ fact ” when given to us by a fallible character in the story . When a character speaks realistically , within the ...
... fact , when it has been given to us by the author or his unequivocal spokesman , is a very different thing from the same “ fact ” when given to us by a fallible character in the story . When a character speaks realistically , within the ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York