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Henry Moore and the Arts Council Collection

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Hayward Gallery Publishing, 28/feb/2013 - 80 pagine
This beautiful, small-format book not only presents a number of key works by this major sculptor, but also examines his early relationship with the Arts Council Collection, as advisor to its acquisitions committee during the early 1950s. Henry Moore was a major force in shaping the sculpture collection of the ACC, advocating the acquisition of a significant group of post-war British sculpture by artists including Kenneth Armitage, Lynn Chadwick and Barbara Hepworth. Moore himself is strongly represented in the Collection - art historian Kenneth Clark, a critical figure in the history of the ACC, encouraged Moore to donate his early works - and 11 powerful sculptures, as well as 15 works on paper spanning five decades, appear in the Collection's holdings. These works are illustrated in colour in this beautifully-designed book, accompanied by an essay and critical commentary on individual works by Benedict Read. They provide a succinct history of Henry Moore's practice between 1929 and 1962, with key developments in both two- and three-dimensional works.

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Informazioni sull'autore (2013)

Born in Toronto, Alan Wilkinson studied at the Courtauld Institute of Art, and wrote his Ph.D thesis on the drawings of Henry Moore. Dr. Wilkinson's publications include "The Drawings of Henry Moore"(1977), "Gauguin to Mo ore: Primitivism in Modern Sculpture"(1981), "Henry Moore Remembered" (19 87), "Barbara Hepworth: A Retrospective"(coauthor) (1994), and the two-volume catalogue raisonn "The Sculpture of Jacques Lipchitz"(1996 and 2000).

Caroline Douglas began her driving career at the age of eight driving a donkey. Caroline has enjoyed a successful riding career in both eventing and dressage. Along with her judging commitments, Caroline is also a BDS examiner and lecturer, and teaches in England and abroad.

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