The Dehumanization of Art: And Other Essays on Art, Culture, and LiteraturePrinceton University Press, 1968 - 204 pagine |
Dall'interno del libro
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Pagina 64
... impressionistic painters who set down on the canvas such elements as the spectator needs for seeing an apple , and leave it to him to give to this material the finishing touches . Hence the fresh taste of all impressionistic painting ...
... impressionistic painters who set down on the canvas such elements as the spectator needs for seeing an apple , and leave it to him to give to this material the finishing touches . Hence the fresh taste of all impressionistic painting ...
Pagina 122
... IMPRESSIONISM It is not necessary to remark that , in Velásquez , the moderating principles of the Renaissance persisted . The innovation did not appear in all its radicalism until the Impressionists and Post - Impressionists . The ...
... IMPRESSIONISM It is not necessary to remark that , in Velásquez , the moderating principles of the Renaissance persisted . The innovation did not appear in all its radicalism until the Impressionists and Post - Impressionists . The ...
Pagina 125
... impressionism , are subjective states ; as such , realities , effective modifications of the subject . But still further within the subject are found the ideas . And ideas , too , are realities present in the individual , but they ...
... impressionism , are subjective states ; as such , realities , effective modifications of the subject . But still further within the subject are found the ideas . And ideas , too , are realities present in the individual , but they ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 1968 |
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima non disponibile - 2019 |
Parole e frasi comuni
abstract action adventures aesthetic animal appears artist authentic become begins body called canvas casuistry century character chiaroscuro classical consists contemplation contrary cornea cubism culture Debussy DEHUMANIZATION delight derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco entelechy essential everything existence expressionism fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ideas imaginary inner interest invent less light live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting passions person personages philosophy picture poet poetry point of view possess possible precisely present primitive progressivist proximate vision psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth Velásquez vital vocation Weimar words young youth