The Dehumanization of Art: And Other Essays on Art, Culture, and LiteraturePrinceton University Press, 1968 - 204 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 17
... ourselves and reality . In this scale , the degree of close- ness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real ...
... ourselves and reality . In this scale , the degree of close- ness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real ...
Pagina 91
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held in- communicado ? That there can have been no communi- cation is clear ; for we are aware of no ...
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held in- communicado ? That there can have been no communi- cation is clear ; for we are aware of no ...
Pagina 201
... ourselves — as , after all , we say to ourselves many a time in our more ordinary life when our surroundings press upon us , when we { 201 }
... ourselves — as , after all , we say to ourselves many a time in our more ordinary life when our surroundings press upon us , when we { 201 }
Altre edizioni - Visualizza tutto
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 1968 |
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima non disponibile - 2019 |
Parole e frasi comuni
abstract action adventures aesthetic animal appears artist authentic become begins body called canvas casuistry century character chiaroscuro classical consists contemplation contrary cornea cubism culture Debussy DEHUMANIZATION delight derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco entelechy essential everything existence expressionism fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ideas imaginary inner interest invent less light live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting passions person personages philosophy picture poet poetry point of view possess possible precisely present primitive progressivist proximate vision psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth Velásquez vital vocation Weimar words young youth