Beauty and Other Forms of Value

A. C. Bradley action aesthetic Alceste animal architecture artist beauty become belongs C. E. Montague called Chapter character claims classical colours comedy conation constructive contemplation corresponds creation creative described distinct doctrine eidetic image elements embodied emotion excitement existence experience expression external fact feel formal human nature ideas images imagination implied impulse individual instance Jane Austen John Rylands Library judged judgment kind knowledge laws Le Misanthrope London Lucretius marble material passions means ment mental merely Molière moral ness numbers object ourselves painting perhaps person philosophy physical picture pleasure poem poet poetic poetry possess practical programme music prosaist prose pure question R. G. Collingwood reality recognise relation romantic sake satisfaction satisfies scientific sculpture sense sentiment social society Socrates specific impulse speech subject matter sublime suggested things thought tion tones tragedy true truth ugly unity virtue whole words