Karl Kraus and the Critics

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Camden House, 1997 - 161 pagine
An analysis of the relationship between the great Viennese writer Karl Kraus and his literary critics.

Karl Kraus (1874-1936) is widely regarded as one of the most talented and influential satirists of the twentieth century. He was an enormously productive writer of poetry, critical essays, and aphorisms, and spent the bulk of hislife in Vienna. The key to his work is his love of language, and his disdain for those who abuse it. To him, language was the moral criterion and accreditation for a writer. He set about to provide an imperishable profile of his age from the very perishable materials of newspaper reports. Kraus is famous as editor of the satirical journal Die Fackel (The Torch), and as author of the immense play, Die letzten Tage der Menschheit (The Last Daysof Humanity, 1918-19). This is the first attempt to analyze the most significant literary criticism on the works of Karl Kraus, an undertaking that reveals even more about the literary establishment in Vienna than about the greatwriter.

 

Sommario

When Vienna Saw Red Some Early Themes
1
Heine and the Consequences
13
ArchJew or Shining Exemplar
19
Two Support Systems The Brenner
27
Viewing Kraus Against the Historical
37
The Last Days of Mankind
48
Shrunk by Shrinks
67
Kraus
78
Bound Bouquets and Brickbats
87
Traduttore Traditore?
95
The Postwar Kraus Renaissance
105
At the Centennial and Beyond
123
Conclusion
155
Copyright

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