Movies and the Modern Psyche

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Greenwood Publishing Group, 2007 - 197 pagine
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By looking at the interactions between cinema and psychology, Packer offers readers clear and basic insights into some of the most fundamental reasons why film is such an important influence upon our lives today. Movies and the Modern Psyche first describes the basic concepts of psychoanalysis, experimental psychology, behavioral conditioning, and hypnosis, which have all played major roles in the histories of both film and psychiatry. It then goes on to discuss the recent rise in film therapy, drug treatments, treatment for drug abuse, and the closing of asylums, to show how shifts in treatment techniques, theories, and settings are foreshadowed and fossilized by film.

Psychology and cinema are kindred cousins, born at the same time and developing together, so that each influences the other. From the mind-controlling villains that occupy early horror films and Cold War thrillers (like Caligari, Mabuse, and The Ipcress File), to the asylums that house numberless political allegories and personal dramas (in Shock Corridor, Spellbound, One Flew over the Cuckoo's Nest, and Girl Interrupted), to the drugs, phobias, and disorders that pervade so many of our favorite films (including, as a small sample, Vertigo, Night of the Hunter, Psycho, Rainman, Fight Club, Requiem for a Dream, and Batman Begins), there is no escaping either psychology in the movies, or the movies in psychology. By looking at the interactions between cinema and psychology, this book offers readers clear and basic insights into some of the most fundamental reasons why film is such an important influence upon our lives today.

Movies and the Modern Psyche first describes the basic concepts of psychoanalysis, experimental psychology, behavioral conditioning, and hypnosis, which have all played major roles in the histories of both film and psychiatry. It then goes on to discuss the recent rise in film therapy, drug treatments, treatment for drug abuse, and the closing of asylums, to show how shifts in treatment techniques, theories, and settings are foreshadowed and fossilized by film.

 

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Indice

INTRODUCTION
1
A CENTURY OF PSYCHOLOGY AND CINEMA
9
FREUD AND FILM
26
THE DREAM
38
HYPNOSIS
51
MADHOUSES HAUNTED HOUSES AND POLITICAL POLEMICS
68
PSYCHOLOGICAL THRILLERS AND SERIAL KILLERS AND THE MOTIF OF MADNESS
85
FREUDIAN WESTERNS AND FILMS NOIR
99
DOUBLES AND DOPPELGÄNGERS
140
WOODY ALLENS WORRIES
157
THE PSYCHE ASSUMES PHYSICAL FORM
163
CONCLUSION
171
FILMOGRAPHY
173
NOTES
179
BIBLIOGRAPHY
183
INDEX
187

COLD WAR PARANOIA AND POSTWAR PTSD
110
DRUGS AND OTHER DEMONS
125

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Informazioni sull'autore (2007)

Sharon Packer, M.D., is a practicing physician and psychiatrist, and Adjunct Professor of Media Studies at New School University in New York City. She has published dozens of academic articles and book reviews, as well as chapters on psychology and media, and psychiatry and religion. Praeger published her award-winning book Dreams in Myth, Medicine and Movies in 2002.

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