Charles Dickens and His World

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Scribner, 1978 - 144 pagine
Charles Dickens was one of the giants of the Victorian era. An impoverished childhood, sweated labor in a blacking factory, a period spent working with a Grays Inn solicitor, and finally success as a parliamentary reporter -- these experiences gave him the eye and ear of the satirist and the compassion of the social reformer, which were eventually to be the sources of his greatness as a novelist. But if we are fully to understand Dickens's work, we have to understand his own character: the qualities that made him both the great humorist of "Pickwick Papers", and the attacker of social evils who wrote "Oliver Twist" and "Hard Times". J. B. Priestley has proved to be the ideal commentator on the great Victorian's life and complex character in this fully illustrated biography. -- From publisher's description.

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Informazioni sull'autore (1978)

English novelist, playwright, and critic J. B. Priestley was born in Bradford in Yorkshire, the setting for many of his stories, and was educated at Cambridge University. Although he first established a reputation with critical writings such as The English Comic Characters (1925), The English Novel (1927), and English Humor (1928), it is for his novels and plays that he is best known. Priestley was, like John Galsworthy and Somerset Maugham, a novelist only partially committed to his playwriting. Yet he became the dominant literary figure in the London West End during the 1930s, as he attempted to make realistically rendered domestic conversation the vehicle for a mature study of personality and emotion. Philosophical theories about time, Socialist dogmatism (often erupting into sermons), and a taste for dramatic expressionism may be said to have finally deflected him from his goal. Priestley's experimental bent nevertheless yielded, among his more than 25 plays, a number of striking theatrical situations---the soliloquies of Ever since Paradise, the reviewed life in Johnson over Jordan (1939), the replay of an ill-fated conversational turn in Dangerous Corner (his most successful play, 1934), and the supernatural visitation in An Inspector Calls (his acknowledged masterpiece, 1946).

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