Hauntings and Other Fantastic Tales

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Broadview Press, 11 apr 2006 - 352 pagine
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Vernon Lee writes in the Preface to Hauntings, “My ghosts are what you call spurious ghosts... of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle.

The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.

 

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Indice

Acknowledgements
7
A Brief Chronology
29
Dionea 1890
77
Oke of Okehurst 1886 1890
105
A Wicked Voice 1887 1890
154
Prince Alberic and the Snake Lady 1896
182
A Wedding Chest 1904
229
Preface to The Virgin of the Seven Daggers 1927
243
From Algernon Charles Swinburne Notes
279
Eugene LeeHamilton The Mandolin
325
Vernon Lee Out of Venice at Last 1925
339
Copyright

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Informazioni sull'autore (2006)

Catherine Maxwell is Reader in Victorian Literature at Queen Mary, University of London.

Patricia Pulham is Senior Lecturer in Victorian Literature at the University of Portsmouth. They are the editors of Vernon Lee: Decadence, Ethics, Aesthetics (Palgrave Macmillan, 2006).

Informazioni bibliografiche