Paris Changing: Revisiting Eugene Atget's Paris

Copertina anteriore
Princeton Architectural Press, 4 ott 2007 - 192 pagine
Between 1888 and 1927 Eugne Atget meticulously photographed Paris and its environs, capturing in thousands of photographs the city's parks, streets, and buildings as well as its diverse inhabitants. His images preserved the vanishing architecture of the ancien rgime as Paris grew into a modern capital and established Atget as one of the twentieth century's greatest and most revered photographers.

Christopher Rauschenberg spent a year in the late '90s revisiting and rephotographing many of Atget's same locations. Paris Changing features seventy-four pairs of images beautifully reproduced in duotone. By meticulously replicating the emotional as well as aesthetic qualities of Atget's images, Rauschenberg vividly captures both the changes the city has undergone and its enduring beauty. His work is both an homage to his predecessor and an artistic study of Paris in its own right. Each site is indicated on a map of the city, inviting readers to follow in the steps of Atget and Rauschenberg themselves. Essays by Clark Worswick and Alison Nordstrom give insight into Atget's life and situate Rauschenberg's work in the context of other rephotography projects. The book concludes with an epilogue by Rosamond Bernier as well as a portfolioof other images of contemporary Paris by Rauschenberg. If a trip to the city of lights is not in your immediate future, this luscious portrait of Paris then and now is definitely the next best thing.

 

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Sommario

Acknowledgments
7
Reconsidering Atget
14
Arrondissements 5 6 14
78
Arrondissements 18 19 20
134
SaintCloud Versailles Sceaux
146
Paris Regained
179
Copyright

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Informazioni sull'autore (2007)

Clark Worswick is a photographic historian and a photography collector. He is presently Consulting Curator of Photography at the Peabody Essex Museum, Salem, Massachusetts. His books include The Last Empire: Photography in British India, 1865-1911; Imperial China: Photographs, 1850-1912; Japan: Photographs, 1854-1905, Princely India, and An Edwardian Observer. For over three decades he has been involved in American documentation projects. Rosamond Bernier was born Rosamond Margaret Rosenbaum in Germantown, Pennsylvania on October 1, 1916. She was educated by French governesses and spent a few years at an English boarding school before attending Sarah Lawrence College. She dropped out at the age of 19 to marry Lewis A. Riley Jr., a wealthy land developer she met on a trip to Mexico. They divorced in 1943. In 1946, she became Vogue's Paris-based European features editor and worked for art magazines. Two years later she married Georges Bernier, a journalist. In 1955, they founded L'Oeil (The Eye), a bilingual monthly magazine. A subsidiary produced 16 art books under the Bernier imprint. After her second marriage ended, she moved to New York and eventually became a television personality and art lecturer. In the late 1970s and early 1980s, she interviewed artists and narrated documentaries on CBS and PBS. She won a Peabody Award for two programs on the Pompidou Center in Paris. In 1975 she married John Russell, the art critic of The New York Times. They collaborated on many writing and television projects. She wrote several books including Matisse, Picasso, Miro: As I Knew Them and Some of My Lives: A Scrapbook Memoir. She died on November 9, 2016 at the age of 100.

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