Poetry of Reality
Routledge, 15 ago 2005 - 192 pagine
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
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RealWorld Music as Composed Listening
RealWorld Sounds and Simulacra in my Computer Music
Soundscape Acoustic Communication and Environmental Sound Composition
The Interplay of Realism and Abstraction in Electroacoustic Music
I Was Running in So Many Different Directions
John Cage and recorded sound
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Parole e frasi comuni
abstract acousmatic acoustic Adorno aesthetic Attali attention Barry Truax become bird song Cage’s collage complex composer composer’s Computer Music Contemporary Music context create culture documentary electroacoustic music electronic music environment environmental sound example experience film filters Frank Zappa frequency guitar harmonic hear heard Hildegard Westerkamp identity imagination instance instrumental interpretation John Cage listener’s listening means metaphor mimesis montage movement musical material musicians musique concrète nature noise objects original perception percussion performance physical piano piece pitch playing presented produced real-world music real-world sounds realism reality recognisable sounds recognition recorded sound Red Bird referential relationship resonance Risset scenario sense Sheik Yerbouti Sleep Dirt Smalley social song sonic sound events sound sources soundscape composition source-cause spatial spectral speech studio suggest surrogacy synthesis synthetic sounds techniques texture timbral timbre traditional transformation Trevor Wishart Truax Uncle Meat visual vocal voice Wishart World Soundscape Project Zappa