Poetry of Reality

abstract acousmatic acoustic Adorno aesthetic Attali attention Barry Truax become bird song Cage’s collage complex composer composer’s Computer Music Contemporary Music context create culture documentary electroacoustic music electronic music environment environmental sound example experience film filters Frank Zappa frequency guitar harmonic hear heard Hildegard Westerkamp identity imagination instance instrumental interpretation John Cage listener’s listening means metaphor mimesis montage movement musical material musicians musique concrète nature noise objects original perception percussion performance physical piano piece pitch playing presented produced real-world music real-world sounds realism reality recognisable sounds recognition recorded sound Red Bird referential relationship resonance Risset scenario sense Sheik Yerbouti Sleep Dirt Smalley social song sonic sound events sound sources soundscape composition source-cause spatial spectral speech studio suggest surrogacy synthesis synthetic sounds techniques texture timbral timbre traditional transformation Trevor Wishart Truax Uncle Meat visual vocal voice Wishart World Soundscape Project Zappa