Power Plays: Wayang Golek Puppet Theater of West Java
Ohio University Press, 2004 - 295 pagine
Based on ethnographic fieldwork spanning twenty years, Power Plays is the first scholarly book in English on wayang golek, the Sundanese rod-puppet theater of West Java. It is a detailed and lively account of the ways in which performers of this major Asian theatrical form have engaged with political discourses in Indonesia. Wayang golek has shaped, as well, the technological and commercial conditions of art and performance in a modernizing society.
Using interviews with performers, musical transcriptions, translations of narrative and song texts, and archival materials, author Andrew N. Weintraub analyzes the shifting and flexible nature of a set of performance practices called Padalangan, the art of the puppeteer. He focuses on "superstar" performers and the musical troupes that dominated wayang golek during the New Order political regime of former president Suharto (1966-98) and the ensuing three years of the post-Suharto period. Studies of actual performances illuminate stylistic and formal elements and situate wayang golek as a social process in Sundanese culture and society. Power Plays includes an interactive multimedia CD-ROM of wayang golek.
Power Plays shows how meanings about identity, citizenship, and community are produced through theater, music, language, and discourse. While based in ethnographic theory and methods, this book is at the center of a new synthesis emerging among ethnomusicology, anthropology, and cultural studies. Its cross-disciplinary approach will inspire researchers studying similar struggles over cultural authority and popular representation in culture and the performing arts.
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1 DEFINING WAYANG GOLEK
2 CULTURAL POLICY AND CANONS OF PERFORMANCE
3 SUPERSTAR DALANG
4 CHALLENGING THE NEW ORDER WITH ENTERTAINMENT
5 THE SPECTACLE OF SOUND
6 THE CASSETTE CULTURE OF WAYANG GOLEK
7 TELEVISUAL MEDIATIONS
8 MEDIATING THE NATION IN POSTSUHARTO INDONESIA
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ALOK artistic Asep Show Asep Sunandar Asep Sunandar Sunarya audiences Bandung BAPAK RT Barong bonang broadcasts CEPOT characters Cirebon comm conﬂict cultural dalang danese Dawala Dede Amung Sutarya deﬁned degung DIKSAKEPU entertainment ﬁeld ﬁg ﬁgure ﬁlm ﬁrst ﬁve formance gamelan salendro genre Giri Harja Golkar goong Indonesia inﬂuence instruments jaipongan Jakarta Javanese jeung kakawen kanjut Karawang kenong lagu lakon language laras salendro multilaras gamelan musicians NAGA PERCONA NAYAGA ofﬁcer ofﬁcial OGRE Order Order Indonesia padalangan pakem Pancasila pelog pelog degung people’s performance of wayang pieces pitch set play political popular produced programs puppets RAKSASA RASID rebab reﬂect regional repertoire Salmun sandiwara saron scene signiﬁcant sinden SMLD social Soepandi songs speciﬁc spectators stories style Suharto Sundanese wayang golek superstar dalang Surawisastra Suwanda television tetekon tion Tjetjep Supriadi tones troupe tuning system TVRI urang wayang golek performance wayang kulit West Java wilet