The Abuse of Beauty: Aesthetics and the Concept of ArtOpen Court Publishing, 2003 - 167 pagine Danto simply and entertainingly traces the evolution of the concept of beauty over the past century and explores how it was removed from the definition of art. Beauty then came to be regarded as a serious aesthetic crime, whereas a hundred years ago it was almost unanimously considered the supreme purpose of art. Beauty is not, and should not be, the be-all and end-all of art, but it has an important place, and is not something to be avoided. Danto draws eruditely upon the thoughts of artists and critics such as Rimbaud, Fry, Matisse, the Dadaists, Duchamp, and Greenberg, as well as on that of philosophers like Hume, Kant, and Hegel. Danto agrees with the dethroning of beauty as the essence of art, and maintains with telling examples that most art is not, in fact, beautiful. He argues, however, for the partial rehabilitation of beauty and the removal of any critical taboo against beauty. Beauty is one among the many modes through which thoughts are presented to human sensibility in art: disgust, horror, sublimity, and sexuality being among other such modes. |
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The Abuse of Beauty: Aesthetics and the Concept of Art Arthur C. Danto Visualizzazione estratti - 2003 |
The Abuse of Beauty: Aesthetics and the Concept of Art Arthur C. Danto Visualizzazione estratti - 2003 |
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Abstract Abstract Expressionism abuse of beauty aesthetic qualities American art world artistic beauty artwork Barnett Newman belongs Blue Nude Brillo Box cartons century Clement Greenberg concept of art connection contemporary culture curators Dada Damien Hirst defining definition of art disgusting dissonance Duchamp Elegies Eva Hesse example exhibition expressed fact feel FIGURE Fluxus Greenberg Hegel history of art human Hume imagine internal Intractable Avant-Garde Jean Clair Kant Kant's kind live look Marcel Marcel Duchamp Matisse Matisse's meaning meant modern modernist Moore moral Motherwell Motherwell's museum natural beauty Newman objects painter painting Peleus perhaps person Philip Guston philosophical philosophy of art photographs picture pragmatic question readymades regard Roger Fry role seemed sense sensuous sexual simply someone spirit starry heavens sublime taste thetics things Third Realm thought tion Transfiguration truth ugly urinal viewers visual Warhol's Whitney Biennial wonder writes