The Aesthetic Dimension: Toward a Critique of Marxist AestheticsBeacon Press, 1978 - 88 pagine Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society. |
Altre edizioni - Visualizza tutto
The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics Herbert Marcuse Anteprima limitata - 2014 |
The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics Herbert Marcuse Visualizzazione estratti - 1978 |
The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics Herbert Marcuse Anteprima non disponibile - 1979 |
Parole e frasi comuni
Adorno aesthetic form aesthetic sublimation affirmation appears art lies artist authentic autonomy of art Beacon Press Beautiful become bourgeois literature Brecht catharsis change the world character of art class society class struggle cognitive comedy concept confronted consciousness constitutes contradiction critical death Dialectic dominated Engels Eros and Thanatos essay estrangement existence expression fascism fate force Frankfurt fulfillment given reality Goethe's Goldmann happiness Herbert Marcuse historical Horst Bredekamp human illusion immediacy inasmuch indictment individuals invokes labor language Leo Lowenthal liberation literary Lucien Goldmann Marxist aesthetics Marxist theory material mimesis monopoly capitalism nature negation nevertheless particular class play political potential potential of art preserves proletariat promise qualitative difference qualities of art radical praxis reality principle realm reification Reinbek Reinhard Lettau relations of production remains remembrance representation represents revolution Rowohlt Schein sciousness sensuousness speak specific stylization subjectivity Suhrkamp Thanatos Theodor W tion transcend transformation truth of art universal Walter Benjamin