The Cambridge Companion to Crime FictionMartin Priestman Cambridge University Press, 6 nov 2003 - 310 pagine The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the detective fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception. |
Sommario
Eighteenthcentury crime writing | 3 |
The short story from Poe to Chesterton | 34 |
French crime fiction | |
The golden | |
The private | |
Spy fiction | |
The thriller | |
Postwar American police fiction | |
Postwar British crime fiction | |
Women detectives | |
Black crime fiction | |
Crime in film and on | |
Detection and literary fiction | |
Guide to reading | |
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adventure Agatha Agatha Christie American become Borges Britain British Bulwer Cambridge Companion Carré century characters Chesterton Christie clue-puzzle Conan contemporary cops corruption crime fiction Crime Novel crime writing criminal critics cultural Dashiell Hammett death detective fiction detective novel detective story Doyle early edited English espionage explore Fantômas Father Brown female feminist film French G. K. Chesterton gangster gender genre Golden Age hardboiled Harmondsworth Haycraft hero Himes Ibid Ideology Inspector investigation James John John le Carré killer kind Lecoq literary literature London male Marlowe modern moral murder Mystery Story narrative narrator Newgate novel novelists Oxford Paul Penguin plot police novel police officers political popular postmodern private eye protagonists published Raymond Chandler readers reprinted role romance Sayers secret sensation novel sense sexual Sherlock Holmes short story social spy fiction suspects thriller tradition University Press urban victim violence William woman women writers York
