The Cambridge Companion to Duke EllingtonEdward Green, Evan Spring Cambridge University Press, 2014 - 294 pagine Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy. |
Sommario
Ellington and Aesthetic Realism | 1 |
Ellingtons formative years | 21 |
composition | 31 |
Duke Ellington through | 42 |
Ellington abroad 55 | 55 |
Edward Kennedy Ellington as a cultural icon 67 | 67 |
Ellingtons AfroModernist vision in the 1920s 85 | 85 |
Duke Ellington | 106 |
Ellington and the blues 173 | 173 |
Billy Strayhorn and Duke | 186 |
Duke Ellington and the world of jazz piano 197 | 197 |
Duke and descriptive music 212 | 212 |
Sing a song of Ellington or the accidental | 228 |
Ellington and extended form 245 | 245 |
Duke Ellingtons legacy and influence 262 | 262 |
274 | |
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Aesthetic Realism African African-American African-American music Ain’t album American arrangements artistic ASCAP audience band members band’s bandleader Barney Bigard bars bass Ben Webster big band Billy Strayhorn Blanton Brown and Beige Cambridge Companion career Carnegie Hall chord chorus clarinet Clark Terry classical composer composition Cootie Williams Cotton Club creative Creole Rhapsody culture dance decade Duke Ellington Duke’s early Ellington orchestra Ellington Reader Ellington’s music Ellingtonian ensemble European Example feature Festival film Harlem Harry Carney improvisation inspired instrumental Irving Mills jazz Jimmy Johnny Hodges Jungle later Lawrence Brown Mark Tucker melody Mercer Mercer Ellington Mingus Mooche Mood Indigo motif musicians Negro notes original Paul Gonsalves performance phrase pianist piece players playing popular premiere Publishing rights administered recording Reminiscing in Tempo revue rhythm Sacred Concert saxophone saxophonist score solo soloists song sound style Suite Swing theater theme tour trombone trumpet tunes Webster writing wrote York