The Tuning of the WorldKnopf, 1977 - 301 pagine The soundscape is our acoustic environment, the ever-present noises with which we all live. The author suggests that we now suffer from acoustical overload and are less able to hear the nuances and subtleties of sound. Our task, he maintains, is to listen, analyze and make distinctions in spite of sound pollution. |
Sommario
FIRST SOUNDSCAPES | 13 |
THE POSTINDUSTRIAL SOUNDSCAPE | 69 |
Music the Soundscape and Changing Perceptions | 103 |
Copyright | |
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Parole e frasi comuni
acoustic design acoustic environment acoustic space acoustical engineers aesthetic aircraft American animals anti-noise aural aural space Barry Truax birds broadcasting by-law called Canada century church bell continuous culture decibels ear cleaning echo effect Electric Ezra Pound factory forest frequency frog garden hear heard hertz hi-fi horn human Industrial Revolution insects instance instruments invention keynote sounds landscape legislation listening lo-fi London loud machine modern Moozak MURRAY SCHAFER natural soundscape night noise abatement noise pollution notation orchestra perception Pierre Schaeffer pitch post horn produced psychoacoustics quiet radio recording reverberation rhythms Sacred Noise signals silence singing siren society song sonic sonological competence sound event sound level sound object soundmarks soundscape studies street symbolism tape telephone tempo Thomas Hardy tion tones town traffic trans Vancouver vibrations visual vocal voice waves whistle wind words World Soundscape Project York