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Pagina xii
151 ; we talk with fairies in II . ii . 190 ; swear it in v . i . 26 ; heavy in v . i . 79 ; and the arrangement in two lines of the last three lines of the play , as the latter are printed in the Folio .
151 ; we talk with fairies in II . ii . 190 ; swear it in v . i . 26 ; heavy in v . i . 79 ; and the arrangement in two lines of the last three lines of the play , as the latter are printed in the Folio .
Pagina xxxvii
... invariably taken from classical mythology , were “ removed from all touch with ordinary humanity . " His plots were of the most improbable structure . He invested his actions with a kind of fairy atmosphere ; and worked out his ...
... invariably taken from classical mythology , were “ removed from all touch with ordinary humanity . " His plots were of the most improbable structure . He invested his actions with a kind of fairy atmosphere ; and worked out his ...
Pagina xxxviii
... illusion ” found in The Errors is entirely mediæval , and was obtained by Shakespeare from the examples furnished to him in Lyly's Endimion , in which the action is affected by the agency of fairies , witches and enchanted objects .
... illusion ” found in The Errors is entirely mediæval , and was obtained by Shakespeare from the examples furnished to him in Lyly's Endimion , in which the action is affected by the agency of fairies , witches and enchanted objects .
Pagina xl
65 ) ; the reference to English fairy lore ( 11. ii . 191 899. ) ; purely English names of servants ( III . i . 31 ) ; the English stocks ( 111. i . 60 ) ; the fat » " kitchen - wench ( 111. ii . 95 ) ; xl INTRODUCTION.
65 ) ; the reference to English fairy lore ( 11. ii . 191 899. ) ; purely English names of servants ( III . i . 31 ) ; the English stocks ( 111. i . 60 ) ; the fat » " kitchen - wench ( 111. ii . 95 ) ; xl INTRODUCTION.
Pagina 43
This is the fairy land : O , spite of spites ! We talk with fairies , goblins , elves , and sprites . 190 184. drives ) draws Singer , ed . 2. ( Collier ) . 186. offer'd ] Capell ; free'd Ff ; favour'd Rowe ( ed .
This is the fairy land : O , spite of spites ! We talk with fairies , goblins , elves , and sprites . 190 184. drives ) draws Singer , ed . 2. ( Collier ) . 186. offer'd ] Capell ; free'd Ff ; favour'd Rowe ( ed .
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Parole e frasi comuni
Antipholus bear brother called Capell cloake Collier comedy comes common Compare conj Craig dinner door doth Dream Dromio Duke Dyce Editor English Enter Ephesus Errors Exeunt fair fairy false father fetch Folio follow gave give gold hair hand Hanmer hast hath hear hence Henry hold hour husband King live look Lost Malone marks master meaning Menechmus Merchant Merry Mess mistress never occurs officer omitted passage perhaps Plautus play Pope pray probably quotes reading reason refers remarks rest Rowe says SCENE seems sense Shakespeare ship soon speak stale stand Steevens sure Syracuse tell thee Theobald thing thou town true wife
Brani popolari
Pagina xiv - As Plautus and Seneca are accounted the best for comedy and tragedy among the Latines, so Shakespeare among the English is the most excellent in both kinds for the stage...
Pagina 93 - He understood the speech of birds As well as they themselves do words ; Could tell what subtlest parrots mean, That speak and think contrary clean ; What member 'tis of whom they talk When they cry ' Rope,' and
Pagina xiii - The author is at home in his subject, and presents his views in an almost singularly clear and satisfactory manner. . . . The volume is a valuable contribution to one of the most difficult, and at the same time one of the most important subjects of investigation at the present day.
Pagina xxxii - THE myriad-minded man, our, and all men's, Shakspeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments.
Pagina 86 - I loved her most, and thought to set my rest On her kind nursery.