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Pagina xiii
A rush , a hair , a drop of blood , [ a kiss , A coll , ] a pin , a nut , a cherry - stone . iv . 89. And God and the rope - maker bear me witness . * v . i . 26. These ears of mine , thou know'st , did hear thee swear it . v . i . 46.
A rush , a hair , a drop of blood , [ a kiss , A coll , ] a pin , a nut , a cherry - stone . iv . 89. And God and the rope - maker bear me witness . * v . i . 26. These ears of mine , thou know'st , did hear thee swear it . v . i . 46.
Pagina xvi
Here the play upon heir and hair is obvious . Theobald illustrates one side of this with an historical fact . In 1589 , Henry III . of France had appointed Henry of Navarre as his successor ; and in 1593 the latter was acknowledged King ...
Here the play upon heir and hair is obvious . Theobald illustrates one side of this with an historical fact . In 1589 , Henry III . of France had appointed Henry of Navarre as his successor ; and in 1593 the latter was acknowledged King ...
Pagina xvii
By a forehead armed , he means covered with incrusted eruptions : by reverted , he means having the hair turning backward . ” The reader may be left to judge for himself of the correctness and propriety of this explanation .
By a forehead armed , he means covered with incrusted eruptions : by reverted , he means having the hair turning backward . ” The reader may be left to judge for himself of the correctness and propriety of this explanation .
Pagina xix
Such beautiful and harmonious lines asO , train me not , sweet mermaid , with thy note , To drown me in thy sister's flood of tears : Sing , siren , for thyself , and I will dote : Spread o'er the silver waves thy golden hairs , ( I11 ...
Such beautiful and harmonious lines asO , train me not , sweet mermaid , with thy note , To drown me in thy sister's flood of tears : Sing , siren , for thyself , and I will dote : Spread o'er the silver waves thy golden hairs , ( I11 ...
Pagina xliii
There ' s no time for a man to recover his hair . May he not do it by fine and recovery ? and recover the lost hair of another man . 111. i . 12. That you beat me at the mart , I have your hand to show . III . i . 13.
There ' s no time for a man to recover his hair . May he not do it by fine and recovery ? and recover the lost hair of another man . 111. i . 12. That you beat me at the mart , I have your hand to show . III . i . 13.
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Parole e frasi comuni
Antipholus bear brother called Capell cloake Collier comedy comes common Compare conj Craig dinner door doth Dream Dromio Duke Dyce Editor English Enter Ephesus Errors Exeunt fair fairy false father fetch Folio follow gave give gold hair hand Hanmer hast hath hear hence Henry hold hour husband King live look Lost Malone marks master meaning Menechmus Merchant Merry Mess mistress never occurs officer omitted passage perhaps Plautus play Pope pray probably quotes reading reason refers remarks rest Rowe says SCENE seems sense Shakespeare ship soon speak stale stand Steevens sure Syracuse tell thee Theobald thing thou town true wife
Brani popolari
Pagina xiv - As Plautus and Seneca are accounted the best for comedy and tragedy among the Latines, so Shakespeare among the English is the most excellent in both kinds for the stage...
Pagina 93 - He understood the speech of birds As well as they themselves do words ; Could tell what subtlest parrots mean, That speak and think contrary clean ; What member 'tis of whom they talk When they cry ' Rope,' and
Pagina xiii - The author is at home in his subject, and presents his views in an almost singularly clear and satisfactory manner. . . . The volume is a valuable contribution to one of the most difficult, and at the same time one of the most important subjects of investigation at the present day.
Pagina xxxii - THE myriad-minded man, our, and all men's, Shakspeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments.
Pagina 86 - I loved her most, and thought to set my rest On her kind nursery.